mon 25/11/2024

theartsdesk com, first with arts reviews, news and interviews

Theartsdesk
Sunday, 01 December 2024
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic...
Sam Amidon
Monday, 25 November 2024
Walking in the morning from my Airbnb along the road in West Kerry, a seven-minute walk with ocean on one side and farmland on the other, down to the Teaċ Daṁsa workshop space. I...
Tim Cumming
Monday, 25 November 2024
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues across the capital hosting the annual...
Gary Naylor
Monday, 25 November 2024
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught in a white lie and bought them a bag of sweets...
Rachel Halliburton
Monday, 25 November 2024
There were points when this concert felt like the musical equivalent of watching the atom split – as well as notes there were animal shrieks, sinister rattles, sibilant serpentine...
Thomas H Green
Monday, 25 November 2024
What’s to be said about an album that’s half well-executed body-moving, dancefloor pop and half sickly, slick schmaltz? It’s as if the creator is covering off all possible...
Kieron Tyler
Sunday, 24 November 2024
For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies...
Matt Wolf
Saturday, 23 November 2024
"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40...
Jenny Gilbert
Saturday, 23 November 2024
London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of...
Sarah Kent
Saturday, 23 November 2024
Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves...
Gary Naylor
Saturday, 23 November 2024
Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-...
Graham Rickson
Saturday, 23 November 2024
 Brahms: Piano Concertos 1 and 2, Solo piano works Igor Levit (piano), Wiener Philharmoniker/Christian Thielemann (Sony...
Joe Muggs
Saturday, 23 November 2024
The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never...
David Nice
Friday, 22 November 2024
From a privileged position in the Festival Hall stalls, I could see 97-year old Herbert Blomstedt’s near-immobile back as he...
Thomas H Green
Friday, 22 November 2024
London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by...
Aleks Sierz
Friday, 22 November 2024
This Dickens classic is an annual treat, or a Christmas trial – depending on your point of view. At the Old Vic, it was...
Saskia Baron
Friday, 22 November 2024
The plight of persecuted minority groups around the world seems to be growing worse. As one form of response, a non-fiction...
Liz Thomson
Friday, 22 November 2024
Hard to believe it’s coming up to 30 years since “Love and Affection” put Joan Armatrading in the top 10, a track from her...
Rachel Halliburton
Thursday, 21 November 2024
How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated?...

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AN ARTIST'S DREAM Rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

★★★ AKRAM KHAN, GIGENIS, SADLER'S WELLS  Now 50, Khan returns to his roots

★★★ WICKED Musical theatre behemoth becomes an outsized film - and this is just part one

★★★ A CHRISTMAS CAROL, OLD VIC Tidings of discomfort and noise

★★★ PERIANES, MONTREAL SO, PAYARE, BARBICAN Elegance and drama but not enough bite

★★★★ [TITLE OF SHOW], SOUTHWARK PLAYHOUSE Two decades on, meta-musical retains its charm

disc of the day

Album: Alice Ivy - Do What Makes You Happy

Aussie producer's third is half gems and half pap

The future of Arts Journalism

 

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Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

Paris Has Fallen, Prime Video review - Afghan war veteran wreaks a terrible vengeance

Cynical politicians and amoral arms dealers feel the heat

Wolf Hall: The Mirror and the Light, BBC One review - handsome finale for Hilary Mantel adaptation

Mark Rylance is on top form as his Thomas Cromwell re-emerges after nine years

film

Wicked review - overly busy if beautifully sung cliffhanger

Musical theatre behemoth becomes an outsized film - and this is just part one

Snow Leopard review - clunky visual effects mar a director's swansong

Tibetan filmmaker Pema Tseden bows out with a confusing tale of a beautiful predator

Mediha review - a brutalised Yazidi teen comes of age with a camera

A documentary frames the video diary of a Yazidi girl who suffered horrific abuse

new music

EFG London Jazz Festival 2024 round-up review - from Korean noise to Carnatic soul

A trio of bands and artists blend world music, cinematic grooves and pure noise at the London Jazz Festival

Album: Alice Ivy - Do What Makes You Happy

Aussie producer's third is half gems and half pap

Music Reissues Weekly: Stefan Gnyś - Horizoning

Folk-inclined Canadian’s brooding album emerges 55 years after it was recorded

classical

Classical CDs: Vitamins, kings and magic spells

A neglected ballet score, romantic piano concertos and contemporary British music

Kavakos, Philharmonia, Blomstedt, RFH review - a supreme valediction forbidding mourning

Nonagenarian conductor provides the flow, his players the passion, in Mahler's Ninth

opera

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The Elixir of Love, English National Opera review - a tale of two halves

Flat first act, livelier second, singers not always helped by conductor and director

theatre

Wicked review - overly busy if beautifully sung cliffhanger
Musical theatre behemoth becomes an outsized film - and this is just part one
King James, Hampstead Theatre review - UK premiere drains a three-pointer
LeBron James comes and goes, and comes back again to the Cavs

dance

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First Person: singer-songwriter Sam Amidon on working in Dingle with Teaċ Daṁsa on 'Nobodaddy'

Michael Keegan-Dolan’s mind-boggling total work of art arrives at Sadlers Wells this week

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan returns to his roots

The dancer-choreographer goes epic in a show that unites South Asian dance styles

comedy

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Kemah Bob, Soho Theatre review - Thailand, massage and mental health

Texan's full-length debut is a personal story

Natalie Palamides: Weer, Soho Theatre review - a romcom of two halves

Comic plays male and female roles simultaneously

Books

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Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

Beautiful books take you to worlds that are intricately imagined and a feast for the eye

Jon Fosse: Morning and Evening review - after thoughts

Damion Searls thoughtfully translates the wise words of 2023’s Nobel Prize winner

visual arts

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Vanessa Bell, MK Gallery review - diving into and out of abstraction

A variation of styles as the Bloomsbury artist breaks free from Victorian mores

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